I haven't got any new work of my own (not finished, anyway), so I decided to post some images of pots by my current clay crushes. As I have been before, I am struck by how different the pots that I like to see are from the pots that I like to make. I do try to identify qualities that twang my magic twanger (aesthetically speaking) and incorporate them, but blessedly, they usually emerge from the process unrecognizable.
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Lori Keenan Watts (aka me) is a potter, gardener, and avid reader from Augusta, Maine. Though I started my university education in surface design for fabric, clay quickly grabbed me by the heart and redirected my creative impulses. I have been a potter for over 25 years -- hard to believe. The most valuable years of my ceramic education were spent in graduate study at Southern Illinois University at Edwardsville, under the tutalage of Dan Anderson and Paul Dresang.
My aesthetic is guided by my love of the material itself. What fascinates me and makes a pot compelling for me is the clay-ness of clay: the squooshiness that becomes the adamantine solidity. I also like patterns, unexpected proportions, and when the flame comes along and dissolves part of my careful decorating efforts! I am obstinate about this aesthetic, to a point which might be called pig-headed, but hey, if you don't like what you make, why bother?
My happy little family also includes my husband, musician and photographer (and author of the book Alewife) Doug Watts; five cats; and a turtle, all foundlings and rescues of one stripe or another.
I haven't got any new work of my own (not finished, anyway), so I decided to post some images of pots by my current clay crushes. As I have been before, I am struck by how different the pots that I like to see are from the pots that I like to make. I do try to identify qualities that twang my magic twanger (aesthetically speaking) and incorporate them, but blessedly, they usually emerge from the process unrecognizable. 
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