I have some students who are exclusively slab builders, so I have been searching recently for new techniques to show them. Found this one described online, do I decided to give it a try.
It starts with a rolled slab, about 3/8s of an inch. I find a very common mistake among students is to roll their slabs too thin! In addition to being much harder to build with, an overly-thin slab results in a flimsy pot that chips easily and, to my mind, feels cheap. I can think of reasons why you would make a thinner pot - sometimes you can use daintiness in an aesthetic way, for special-occasion pots, in which the very fragility of the piece proclaims
the specialness of the occasion, or makes clear that this is a decorative, not utilitarian, piece. But if you mean to use it regularly, give it a little substance!
But I digress. Where were we? Oh, yes, the slab. Once rolled and thoroughly
compressed, cut two concentric circles. This will create a ring of clay, one circle being the outer diameter and the other the inner. The difference between the larger and the small of the two will be the height of the walls. The greater the difference, the harder this will be to build. To minimize any such difficulties, you want tgive this slab a little while to firm up. How long depends on the air conditions; 15 minutes is a good starting point but on the humid day I built mine that was not nearly enough. Building on a drywall board is helpful, too, as it allows the slab to dry from both directions.
Save the circle bit from the middle! It will become the bottom.
Now we're going to cut a wedge out of the ring, which will make a "C" shape. The wider the wedge, the more vertical the sides will be; a shallower bowl will be harder to build and may need to rest in or on a mold.
|Like this one! This bowl is not especially shallow, but I lost|
patience waiting for my slab to dry in our humidity.
I found a wedge of at least a quarter of the ring made a good, useful shape.
Now we're going to bend the slab so that the edges overlap. There will be an opening in the middle.
Scoring & adding clay slurry (or magic water, or vinegar, or whatever your attachment preference) is going to be key in holding the seam together.
Now for the bottom. The circular bit that was cut out at the beginning is a little bit drier now, let's use that.
Optional, of course, but I like to put a texture on it.
This textured circle becomes the bottom - TWIST!
- from the inside
. Score, slip, etc, then:
There is, of course, a lot of smoothing, paddling, and other futzing - especially on the bottom! - to make it look nice.