They will be prettier once they are all lying down, of course, but it's hard to get a photo of them, then! The pots, too, are never so beautiful as when they are glowing with the heat that creates them. All those little knobs belong to sugar bowls, and all those sugar bowls are coming with me to the Portland Fine Crafts show on Saturday. Come see me in Booth 69!
Me, I clean. There are some logical reasons for that - the studio is never more empty than when all the ware is in the kiln - and some squishier ones, like for some reason I just can't make myself start a new making cycle in the midst of the old one. NO OVERLAP, it's some kind of brain-cramp of a rule that I can't get past. So, I clean.
Sometimes I clean my house. Often I clean my studio - see above. Sometimes I drag all the random crap that has drifted into the shed like seaweed on a beach, throw three-quarters of it away, and then organize the rest. It's lucky I have firing days, because some stuff only happens then.
Today I had a flea infestation to address. As you may know, I live in the House of Many Cats, not entirely accidentally. We apply flea preventative medications regularly, but fleas do love hot, humid weather, and I found one on Finn McCool just yesterday - only two weeks after he'd had his monthly treatment. Time for drastic action! Which means, time to close the cats up in bedrooms, drag all the furniture into the kitchen, and shake Borax on all the carpets to kill flea eggs. It has to sit for a few hours before getting vacuumed up, so I still had time to do dishes & laundry & all my regular cleaning stuff as well. I did straighten the studio a bit as well, and re-arranged things so it's easier to glaze in there. Maybe that's why I don't like crossing the streams - I use the space differently during the glazing part of the cycle.
The bisque is nearly done now, and Doug & I will settle down to watch Guardians of the Galaxy.
I never tire of glowy-kiln images! I am always the one with the tongs, so not in position to appreciate the visual spectacle while it is happening; I'm busy making sure all the pots survive the journey & no one gets burned. That's me, there, in the silver jacket & face shield. I know lots of people who raku without all the protective gear, and I will never be one of them! Just call me snowflake, I see no reason to be in pain if it can easily be avoided.
The photo above was taken after about half the pots were out.
We got some lovely pots out of the firing! I find I get better results if I don't try to cram as many pots as possible into the kiln: fewer pots means I don't have to hurry before the last ones cool off. I can take my time & position the pieces in the sawdust in a way that will benefit them, instead of just however they land. For example, bowls should be place rim down in the combustible pile! Copper lustres will turn bright & metallic, and all glazes will avoid the unfortunate crusty texture that comes with getting sawdust (or dry leaves or newspaper or whatever) in the puddle of still-molten glaze inside a bowl. Here are a few results, with thanks to Holly Johnson of Hurricane Mountain Pottery for all the photos I used today.