"Slipped" out, get it??
I've been making some rustic, torn-edge plates in class, aiming for a loose, spontaneous, almost found-object quality. My own work is pretty tightly thrown (not entirely on purpose!) and over-decorated, although I do enjoy letting the soda vapor have its way with the piece during the firing. There's a wide world of approaches to clay out there, and I wanted to give my students a taste of a different aesthetic.
It sorta worked - they got the idea - but then another idea popped up in class, one I had talked about earlier: aesthetic tension. Sometimes what makes a piece intriguing is when two dueling aesthetics are mashed together! With that in mind, and because I can't help myself one the slip bottle is in my hand, I trailed some delicate flowers onto my meaty rustic plates.
I have to credit a student for the poppies! I mentioned that I had been trying to figure out how to make a recognizable poppy with slip; I turned my back for a sec & when I turned back she had made 2 on the worktable! Victoria is a very talented sliptrailer (and formerly a cake decorator!) I learn so much from my students.
These will probably not be soda-fired, since students don't have access to the soda kiln so it feels like cheating to use that method to finish my demos. SO, I am thinking, iron oxide on the back & edges, then shino on the front face.
I'm excited about these & plan to make more at home!