It wasn't that long ago - maybe five years, maybe eight, I forget - that I still had this idea that I ought to decorate every item that I made differently from everything else. I didn't have any qualms about throwing the same forms, but I always tried to stamp, slip-trail, and glaze them differently.
It's funny how long it took me to see that the same value that lies in repeating thrown forms lies in repeating decorative schemes as well. This is how proficiency is gained! And because of my process, they are all one of a kind anyway. Tonight it was three- and 4-pound mixing bowls. I glazed every one of them with a pattern of curliques on the outside and a glossy white on the inside. By the last one my motions were quick and smooth, with nary a stray dribble.
This approach has had a salubrious effect on my production as well. Much of my glazing time was spent on staring at pieces, deciding on their surfaces. If I only have to decide once every dozen or so pots, obviously things move along faster! And the tenth curlique-glazed bowl goes much faster than the first one.
The marks are unique to each bowl even if I were trying to make them identical (I'm not), and the soda adds a spontaneity that guarantees each piece will be one of a kind. It was a relief to put that worry down.
Lori Keenan Watts (aka me) is a potter, gardener, and avid reader from Augusta, Maine. Though I started my university education in surface design for fabric, clay quickly grabbed me by the heart and redirected my creative impulses. I have been a potter for over 25 years -- hard to believe. The most valuable years of my ceramic education were spent in graduate study at Southern Illinois University at Edwardsville, under the tutalage of Dan Anderson and Paul Dresang.
My aesthetic is guided by my love of the material itself. What fascinates me and makes a pot compelling for me is the clay-ness of clay: the squooshiness that becomes the adamantine solidity. I also like patterns, unexpected proportions, and when the flame comes along and dissolves part of my careful decorating efforts! I am obstinate about this aesthetic, to a point which might be called pig-headed, but hey, if you don't like what you make, why bother?
My happy little family also includes my husband, musician and photographer (and author of the book Alewife) Doug Watts; five cats; and a turtle, all foundlings and rescues of one stripe or another.