I've been demonstrating this technique in my classes this week: wax erosion. The short of it is, you apply wax in an image or pattern to bone-dry ware, then wipe with a sponge. Wherever the wax is will not erode, wherever the wax is not will. This creates a low-relief surface. You can do several layers - foreground, middle ground, background - for an illusion of depth.
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Starts with a porcelain greenware cup |
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First layer of wax |
I want to say a word about wax, here. I've used paraffin in the above picture, but the cup at the top of the post was made using water-based wax. The paraffin is harder and doesn't rub off as easily, but it has drawbacks too (besides fire danger) which we will see in a minute.
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After rubbing with wet sponge |
I wipe the surface of the pot with a wet sponge. The wax resists the eroding action of the water, while the clay around it gets worn away, leaving a raised pattern. Careful not to use too much water! If your greenware absorbs water too quickly it will crack.
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More wax, on top of or around the first wax |
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More wiping... |
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Now, waaay over do it & wipe right through the wall of the pot! |
You can skip that step if you don't feel like being a giant fuck-up. This, though, was the disadvantage of the paraffin wax; because you can wipe away a lot of clay before it starts to remove the paraffin, wiping all the way through the porcelain is possible. That would be a lot harder to do using water-based wax, because you either have to create a much shallower relief, or stop every minute or so, examine the pot, and re-apply wax where it has begun to erode.
Here are the two side by side! Water-based wax on the left, paraffin wax on the right.
The wax - either kind - will of course just burn away in the bisque. I'm thinking celadon or clear glaze, or maybe just let the soda vapor do its thing.
2 comments:
I have used Mod Podge as well. It works as well as, or maybe just a tad better than, water soluble wax.
Ooo, good idea! I have used shellac, too. It makes a really hard resist, but it's difficult to control with the paintbrush - many errant drops that become "part of the design."
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