Matching Plates Are So Over

I've posted four new items in the online shop - plates! Check 'em out here, here, here, and here. I've been having some fun with the descriptions. It's like a lot of things: once you give yourself permission to have fun, it gets easier.

Here's a thing I sometimes wonder about: many people like to have their own personal mug. It's not unusual for a household to have no matching mugs (is it? I've never owned a set of mugs, handmade or otherwise.) But plates? Culturally we look upon matched plates as the only way a normal household can have plates.

I want to push back on that idea, and not only because I like to make plates but I hate to make sets. I think it's an opportunity to appreciate plates as object d'art. Each plate its own little vignette, a circular frame around an arrangement of texture, color, and pattern. It's a chance for creative hosts to mix styles and colors together to create an artistic table. Plates are also naturals for display storage; on plate rails or in glass-front or open shelving.

Matching plates? So five minutes ago. Set your table with plates as individual as the people using them!

PS. Don't forget: type in discount code BLOG BUDDY to get 10% off!

Stackables, Shadows, and Stone

The rough stone wall behind and the directional lighting give this stack of bowls more drama than one might expect, from cereal bowls. Almost sort of spooky, like a killer might jump out of the shadows...maybe even a cereal killer!😄

Notes of a Mundane Nature

I almost typed "Notes of a Mudane Nature," which would have been sort of appropriate.

After much rumination ('cause that's what I do), I have started using SquaredUp as my retail page. I like the look of the custom-built shopping page better but it's so much quicker to just upload photos & write descriptions to the pre-made store that I went with that, for now. I've got enough on my to-do list without always doing everything the hard way. I went for months with nothing in the online store because I couldn't find the time to do it all.
I do still find SquaredUp confusing from the admin point of view (there's the admin page, and the editor page, and the dashboard page...which all do different things...OTOH you can easily create discount codes, which is a thing I wanted to do but couldn't through my paypal links. Here, I'll go ahead & do one for you guys: type in BLOG BUDDY in the promo code box if you make a purchase, and get 10% off!)  It's very easy to shop from, and - for no reason that I can see - my sales have been better than when I was custom building each page. There's more than one factor involved there, to be sure - this was after the long spell of nothing available online, so there may have been some pent-up demand; I think I got better at writing descriptions; my Facebook and Twitter audiences are larger; and so on. So I can't say SquaredUp is necessarily the cause of the improvement, but I am feeling a little bit superstitious about it now.

Even though I know superstition is bullshit.

[knocks wood.]

Now I just have to track down everywhere that I have a link to my shopping page and make sure to replace it with the new link.

Other notes:

It's spring, going into summer, which means I have a little more money than I sometimes do, which unfortunately does not mean I will be eating fancy chow and drinking fancy wine, or even buying a cool pair of steampunk boots. Lumber for new raised beds in the garden and an upcycled-bureau-turned-kitchen-island are more likely. In addition, some less exciting purchases are in my near future, it seems:

Thing one: Boxes, packing peanuts, newsprint and rolls of corrugated cardboard. I've located a new supplier to replace Uline, and they are local! Local is always a plus. I need to top up packing materials. EAB, Inc is located in Lewiston, about 5 miles from INFAB Refractories, where I get brick inswool and refractory cement for kiln maintenance. Which brings us to thing two: I probably need to get some wool, and some softbrick to spiffy up the kiln a bit, tighten the door and the spies, etc.

Thing three: This damn burner.

Would you look at that crack? How does that even happen, unless being a million years old is cause enough? Obviously all firing is off until I get this fixed. I've got a call into a welder near me, he has to look at it to know if he can fix it, if not, a new burner sleeve is on my shopping list. 😕 I'd much rather have a pair of steampunk boots.

A Remembrance, on Memorial Day

Dad, looking so handsome in his uniform. 

I enjoy a long weekend as much as the next person - maybe more, if the next person is a curmudgeon! - but I do want to take a moment to recognize the people who risked all, and in some cases sacrificed all, to make the gardening and the barbecues possible. Thank you to our military service members, active and retired, past, present, and future. A special and heartfelt thanks sent to heaven for those who lost their lives defending our freedom.

My father was in the Air Force, before I was born. It was how he paid for college. He was stationed in Germany and though he came back well and whole and singing German songs, he enlisted during the Korean War. He didn't see combat, but he could have. He was willing to risk it, for his country.

A friend of mine (who's also a ceramicist) is a veteran of the war in Iraq. She suffers with a disability due to her service. Today she posted photos on Facebook of friends she lost in that war. It was so hard to see smiling young men and women, and to know they were gone, lost in service to their country.

It's a luxury for Memorial Day to be abstract.

My nephew is a soldier today. He is training right now for his specialty, and I fear in my heart he will be sent to Afghanistan, or some new war. He is a brave young person - they all are, to be soldiers, sailors, airmen, and marines in the first place - but I can't help but hope that his courage is not needed. I'm not much good at praying but I use whatever ability I have to ask that he be kept safe, that all our young men and women in the military be kept safe; that, if they should be forced to fight, let it be for a good cause and let justice prevail.

Enjoy the weekend, and thank those who made your enjoyment possible.

Be well.

Sweet Hearts Sugar Bowl

New item in the Pottery Shop - this little soda-fired sugar bowl. Best thing about it? THE BOTTOM. (I can say that, because you all are potters, and you understand.)

The rest is nice too. Check it out here.

The Glaze Challenge

People often ask if I offer classes. I teach, but not at my studio. I'm not set up for that, and more than that I am far, far too much of an introvert to feel comfortable with other people in my space on the regular. Just in the last year or two introversion has become fashionable, with entire articles written about how to interact with us, as if we were some rare species of  gnu that might shy away or bite if not handled properly. Or maybe an orchid, that would wither if exposed to too much personal interaction.

These articles make me laugh - I promise you, you've been successfully interacting with introverts all your life without an instruction manual! I'm not a fragile flower (although I am a snowflake, I must be, strangers [mostly unpleasant ones] tell me so every single day!) and I don't require delicate handling. I do recharge myself with alone time, and being social is work for me. But as I often say, anything worth doing is a lot of work! Some things which are work are also fun.

ANYWAY. Got off track. As I was saying, I don't offer classes here, but I do teach a few classes at Portland Pottery. I teach adults, at mixed skill levels. Beginners are the easiest - anything I show them advances their knowledge. ANY project will grow their skills. My later intermediate & advanced students are trickier; I want to help them pursue their own projects but I also want to push them a little. It's easy when you are finally making things you like to stop striving for new skills - that's why you need a teacher.

Our latest class project was designed to push people to try new surface treatments. I found and printed out some color/ pattern swatches, snipped them to about 2" x 2" so they wouldn't be recognizable as paintings, fabric, ceramics, or whatever. I put the bits of paper in a bowl and had students reach in & pull one out. That then was their assignment: replicate that as a ceramic surface, using any method available. Here are some of our results:

I am missing a few - I swear I took photos of all of them but somehow the photos are nowhere.

Underglaze was a popular approach, and some people tried underglaze crayons for the first time. There were wax/latex patterns, and brave efforts to try and apply glazes in such a way as to replicate the look.

I often do some version of a class project, and thins was one of my favorites! It was great fun for me to see the different approaches people took. I will find ten more snips online, and we will do this project again.

Firing at Watershed: Results!

As commonly happens, the firing at Watershed was great! That soda kiln is a joy to fire.

Look at these even cone packs!

I had six participants in the workshop - small enough that (I hope) everybody got a satisfying number of pots in the kiln. A couple of people had some larger items, always a challenge, but it worked out. I was especially pleased that my friend Cindy of CC Ceramics got in a big piece that she has carried around to four firings now, trying to fit it in! Sh hasn't seen it yet but it's fabulous - you can just see it, it is the carved piece in the rear on the left side, it's peachy & silver, I think she'll be delighted.

I myself had only a few pieces in; this firing wasn't really about me, although I like to have a few things just to dial up the fun factor. The lidded jars at the very top are mine; they will probably eventually find their way to The Cat Doctor, to house the remains of someone's beloved feline.

Look at the very bottom shelf - see that large oval piece? That belongs to Jeanne Hardy, a potter from Belfast. Jeanne participated in the Maine Pottery Tour, so we have emailed back & forth but this was the first time I'd met her. She got lots of nice pieces out of the kiln but that one sticks in my mind, such a great shape. She called it a "hod" which I keep thinking is maybe a kind of boat? Basically any word that I don't know what it means I decide it must be a kind of boat. Anyway I loved the form, a wide, simple oval. It would make a great salad serving dish. Except for the dots (I 💙 dots!) it doesn't look at all like something I would make but I could totally see it in my house.

Here are the pots unloaded.

At this point we still had to grind and wash the shelves, a dreary job but a quick one, as I had so many hands to help.

It's a rainy start to Memorial Day weekend here, and I am doing an biggish indoor project - I am transforming a bureau into a kitchen island. I'll be posting progress over at Wicked Cozy, my Maine-lifestyle blog. I've also got a couple of small orders to knock out, and a few pendants to assemble. Holidays don't mean much to the self-employed! Luckily the work is mostly fun, like I'm always on holiday. Well. Except for kiln maintenance. Oh and mixing glazes. Not fun!

Hoping your holiday weekend is fun, or productive, or meaningful, or whatever you wish it to be.

Scenes from a Firing

Most photos by Cindy Chiuchiolo - thanks Cindy!

Last weekend I did a firing workshop at Watershed with a superfun group of ladies from Maine and Massachusetts. We were graced with perfect weather - low 70s and sunny skies. We glazed Saturday morning, loaded Saturday afternoon, candled the kiln overnight, and fired on Sunday. The kiln had a pokey start - I was worried for a bit there that we might be in for a late night. But it caught itself up and we started spraying the soda by 4 pm. ^10 went down around 6:30 - in tandem with ^11, with the bottom a bit behind. As I always do at Watershed, I had a blast, and I hope participants did, too.

The soda kiln at Watershed is designed a bit differently than mine - higher soda ports, looser bag wall - in addition to just being a bigger kiln. The soda spray method definitely works better on this kiln than the soda salad method of application does! Once I tried the soda-salad method in the Watershed kiln. Everything above the bagwall was dry as chalk. The spray method creates a more even application of soda, which is either good or bad, depending on what you are looking for. While I have generally been happy with the work out of this kiln in the past, I do miss my juicy soda spots!

We'll be unloading on Wednesday, as well as grinding and washing the shelves, sweeping the kiln pad, and all the other little things necessary to observe the girl scout rule in a communal space.   Watch here for the unloading pics!

Challenging Aesthetics, Or, The Last Juicy Mug from The Juicy Firing

There was a super- juicy area in this last kiln - no dry spots (YAY) but there was a region that got heavy soda, so much glaze it flowed in rivulets on some pots. As it does when it's fired in reduction, the thick soda glass turned charcoal...wait, no, silver...what's another pretty word for grey?

I just mean - in selling these pots, I never describe them as just grey. Dove grey, maybe, or pearl grey.  People think they don't like grey. Shopkeepers think people don't like grey. But these pots, with their juicy grey rivers of soda? Are flying out of here. Every time I post one it's gone in an hour. (KNOCKS WOOD, really hard. Nothing to hear, here, jealous gods, move along!) So I only have one left, of the mugs from the super-juicy spot in the super-juicy firing. It has some grey, flecked with gold.

Why are these the mugs in huge demand, in a world where bright colors are king? I have some thoughts about this, about how people make aesthetic judgments.

There may be some aspect of aesthetics that is hardwired - a preference for bright color would make it easier to find food: fruit, obviously, and edible flowers; and flowers can mark the locations of edible roots, or, later, berries. It must be a pretty mild preference, though, (if it's there are all) because historically plenty of cultures have favored neutrals and muted tones. Most of our aesthetic is formed by what we see every day. And what we see every day is formed by our aesthetic. It's a feedback loop. But there are little cul-de-sacs of  preference that form when people spend a lot of time with a less-mainstream aesthetic.

The people who bought these magical grey, wonky, fluid mugs? All people who, while not potters, have spent some time looking at and thinking about handmade ceramics. For most people, their ideas of what is beautiful are shaped almost entirely by machine-made objects. Things that are asymmetrical in form or surface, things which have uncontrolled aspects, these look weird or flawed to most people. The same for colors: what is thought of an normal is informed by what we see every day.  In Western culture, we favor neutrals for background aspects - walls, floor, window treatments, even furniture - and but we are drawn to brights for more intimate objects - towels, throw pillows, and yes, pottery. We also favor the kind of symmetry that comes from machine work.  (I have a world of thoughts about this: how people think they want handmade but the handmade most people like best looks a lot like mass produced ware. )Yes, this is a very broad generalization, and yes, many people fall outside of it. Don't @ me , I know! That's the point: the exceptions. Where do they come from?

They come from exposure to things outside the mainstream aesthetic. From you, from us, with our wacky, wonky, handmade pots! Every time you show them or post them or use them with friends, you are changing the world a little bit. You are changing the cultural aesthetic just a titch. I like to think that at the same time we are making the culture a little more accepting of differences, quirks, oddballs. If you can love a pot that is a little off-center, why not a person? If you can love a mug that doesn't fit anyone's mold, maybe you can see as lovable a person who doesn't fit society's mold. It's OK - no, it's beautiful! - for us each to be unique.

ANYWAY! Sorta wandered off into the weeds, there (but they are very beautiful weeds!)  If you want the last super-juicy mug from the super-juicy firing, you can buy it here. Who knows when the kiln will grace me so again?

Rivers of Glaze

Sometimes pots turn out pretty much like I planned. Sometimes, not so much! In this case the kiln seemed to have ideas of its own:

$36 - Click here for purchase information

It's a very nice mug in the hand, too - an intriguing landscape of impressed hearts for fingers to explore.

"Not what I expected" is sometimes better than I expected!

UPDATE: This mug sold within an hour of posting! 😊😊😊

Blue and Russet Vase with Flowers

Click here to purchase this vase!

I while ago I did a step-by-step on a thrown and altered form that has been fascinating me for a little while now, but I think this is the first time I've shared a fired result. Everythign about this one hit the way I hoped it would - the soda distribution, the way the textures caught the glaze, just the joyousness of the thing. It's for sale, here.

As an aside, I have switched - mostly  - to Squaredup from paypal. It's cheaper, and I have the little swipe device, so I can use the same account for in-person sales as for web sales. Squareup also automatically deposits at the end of the business day (their business day, but whatev, they had to choose sometime) instead of making you log on and request your money. Listing items in my Square store is a little...non-intuitive, though. I have to list them in the library, then import them to the store, and only then can I do things like add a second or third photo. And I haven't found a way to just add a "square" button to pay, like paypal offers, to incorporate into my own website. So, not sure if I am done with paypal entirely. I'm interested to know what your experiences have been.

Bowls of a Different Sort

Chocolate bowls with Raspberry Fudge frozen yogurt, whipped cream nuts & berries

It's Mother's Day! My family typically come up here from the Portland area for lunch and just hanging out. Usually we sit on the deck but it a wet one out there today so we'll be staying warm and dry.
I decided to do something special for dessert: chocolate balloon bowls. I had them at Portland Pottery's Valentine's Day Date Night event, and just fell in love with the idea. So pretty! So clever!

Readers of this blog know I am not shy to try new things even when I don't know what I am doing, but this time I prepared reasonably well; I watched a few youtube videos, and asked the chef at PP  (Chef Manda! I just love her) for any tips she could pass along. Nevertheless, hilarity ensued. But then eventually success:


If you, like me, enjoy reading about other people's debacles - maybe you, like me, find it comforting to know that other people are fuck ups, just like you are, but they figure it out, and so will you - you should read this entry, my first efforts to make chocolate bowls. If you prefer to skip right to the lessons-learned bit, you should read the update, which is the got-it-figured-out part.

Mom & me. In real life we're less blurry

Lunch as great, dessert was great, now I am settling into a sugar-crash coma. Tomorrow I'll get back to making clay bowls.