Third Firing is in the Books!

 Despite having the mother of all colds (definitely not covid; I have tested 3 times now - 2 at-home & one pcr), I could not wait to unload the third glaze firing of the new soda kiln this morning. Got some amazing color - kind of a bronze-y gold - on the bare bmix body; and the Bauer orange, that reliable standby, got almost uniformly glossy & bright. See for yourself!

There were a couple disappointing factors, tho - some of the pieces were made before I started slow-drying anything with slip decoration, and as a result there was a little bit of popping off. Slow drying seems to have solved this problem, so yay; but of course those individual pieces will have to be seconds. 

And speaking of seconds, some of the Dotopia pieces - the ones with Oribe dots, as opposed to yellow dots - some of those will have to be 2nds also, because a lot of the dots jumped right off the ware & onto the kiln shelves (mostly) or other pots. This is a super annoying new problem, which I suspect is caused by a change I made it response to advice, and upped my bisque temperature from ^08 to ^05. I can't see any advantage to this - just higher fuel costs - & now it has made my glaze behave badly. So, not to put to fine a point on it, fuck that. 

Some dot pots that didn't have that annoying problem

You might think I am unhappy with this firing but - au contraire! - I am quite delighted. I got a lot of good pots, I know (at least I think I know) how to correct the problems, and best of all I feel like I am getting a good handle on how to fire this kiln. I think the level of reduction & amount of soda were just about perfect. 

I am always happy when I am learning new things. 

Some of these pots are off to Mainely Gallery in Belfast; a few - mostly mugs - are headed for Bay View Company; and the rest will be available for sale here at my studio during the Maine Pottery Tour. 

Torn Slab Platter

 Well, that was fast! Between my wholesale accounts & social media, basically all of that last firing is sold now. (I now have to squeeze out a firing before the pottery tour, but that is a good problem to have.) I do have one piece left, maybe because I haven't even tried to sell it yet: the first of the torn-slab platters has come out of the kiln.

I have to make a lot of stuff, pretty fast, and there's demand for both Dotopia & Sweet Life (I've been wanting to use that name!) so now would be a really bad time for me to go haring off after yet another aesthetic whim. [Insert some quote about discipline here, I'm too tired to dig one up.] But this platter - more of a plate, really, after the shrinkage - well, it did turn out very well! Once things calm down a bit around here I will definitely be making more. 

If you are interested in Dotopia, you get get those pots at Gifts at 136 or at Maine Local Market; if you like Sweet life, you can get those at Monkitree. 

There's Something Happening Here

Dotopia

 About a year and a half ago - seems much longer; I guess because so much has happened in between then & now - I introduced Dotopia, a line I designed specifically for wholesale. The design is easy to replicate (well - "easy" within the limitations of soda firing, which is by nature a bit random) while still communicating the joie de vivre I want my pots to impart. Because the shapes are simple, and the decorative elements consistent - throwing lines, stamps, rib cuts, slip trailing at leather hard; flashing slip, glaze dots, interior glaze either white or yellow - I can make these relatively quickly, and charge a bit less for them than a more elaborately decorated piece. 

I'm still making Dotopia, and expect a majority of my orders to be from this line. It's the one I offer to wholesale accounts, with a product sheet & samples. But my love of excessive decorating has not evaporated, and predictably, it's back! Check out this new work I am making. 

I made a bowl like this, a couple weeks ago, with a frieze thick with sliptrailing. I have sometimes told students that sliptrailing is a two-person job; one to do the work, another to bonk em on the head when it's done. But there was nobody there to do the bonking so I just kept decorating. I think there are the makings of another line here! It'll have to have a higher price point; it just so happened that I was keeping track of my studio hours this week, and between wedging, throwing, handles, and decorating, it took 6 hours (wetwork only)  to make 10 mugs. They'd have to wholesale for ...idk, $20? Maybe $25? OK, that's not all that much, in the world of handmade mugs. 

I also will save a little time on the glazing end, as these - I think - will not even need flashing slip. I am hoping for the peachy-grey of Bmix + soda glass for the background, and the porcelain slip to be a somewhat-glossy white. Probably white inside, although my mind keeps tugging me towards a pale iron-chromate grey. Not a glaze I currently have but easy enough to alter a recipe.