Web Building for Amateurs, Coherently This Time

Here's a quick synopsis of some of the tools I found useful (or not) Winners and losers:

• Winner: California Fonts! You know how almost all of the standard fonts are either dull or illegible? California Fonts has your answer in the form of hundreds of fun, free downloadable fonts. I ended up not using the ones I downloaded because after doing battle over the publishing and then the images, I didn't have the heart to figure out why my text was not showing up; but probably I just needed to upload the font to the server. It's a fun site to click around; there are hundreds of fonts in the category "Retro" alone. Other categories have names like Eroded, Groovy, AntiLoop. Here's one called "Spa Fon."

• Winner: Picnik! If you want to incorporate a funky font, you can do it in Picnik, and just make it part of the jpeg.
  
• Loser: WebMatrix. Just, no. If you don't know what you are doing, it's not the program for you.

• Winner: Komposer. Free, WYSIWYG, and very flexible: not, as many web-building tools are, just a collection of templates into which you can plug your images and information. I don't think it came with any templates, which could be a drawback if you were looking for the easiest route. Drawbacks: The Help Section was pretty unimpressive. (Loser.) Also, when it uploaded images, it coded them with a complicated address pointing the where they were located on my desktop. I had to go into the HTML source code and change the name of image file to just "whatever-the-name-is.jpg." This sounds hard to do but it is not. Kompozer has a known issue in the form of its publisher, which seems to simply not work - a serious flaw! I thought that I was just doing it wrong, but a visit to the forums indicated that this had been pinpointed as a weakness. (Loser.) To address this:
• I downloaded Filezilla, which served the publishing function. I thought it had problems, too, but that really was just me. In actuality it worked like a dream. Winner!

• Network Solutions, my web host, has a lot of really useful tools for publishing also. It actually turned out to be the easiest solution for uploading, as I could skip all the host-address and FTP://ftp shit. Winner! That stuff was way too hard to find, though, and not, strictly speaking, free, as I am paying for the hosting through them, and paying for the domain name - and it is considerably more costly than other domain name registries such as Go Daddy.
• Winner: Doug! and me. Now I can quit hassling him to updated my website, and take over the procrastination function myself.
  

Kompozer, WebMatrix, and One Other I can't Recall the Name of

P.S. Happy ending!This is a pretty whiny post, but it has a happy ending. Check out the home page: www.finemesspottery.com The links don't work yet (except the one to this blog, but you already know how to get here) but I am on my way!
Note: if you still see the old site, reload your page. Your computer may be drawing on your cache.

More later, if you can stand it.

The following post falls between and rant and a pity party. If you are not in the mood for either, maybe skip this one.

I think I mentioned that I downloaded free web building software called Kompozer? Before I did that I downloaded a free web builder called Web Matrix, which I found to be so confusing that I gave up and looked for other freeware.

Now, keep in mind that I don't know much about web building. I've never done it before, so me saying that WebMatrix is confusing should in no way be taken as criticism of the program. Possibly someone who had the first miniscule, solitary clue would find it delightful to use. But that ain't me, so, moving on. Kompozer, on the other hand, has a very desirable quality: WYSIWYG. (Say it out loud, it's fun.) What You See Is What You Get. You build a document, not unlike creating a word document, and Kompozer translates your intentions into HTML code, which is the language computers think in, when they think about the web.

I built a very nice home page. Simple, with a photo for a background and a row of links on the right hand side. I sure would love to show it to you, but I can't for the life of me get it to publish. The instructions in the help menu are limited and confusing; they basically say:

1. Create document
   
2. Publish it.
   

Thanks! Thanks tons! If I knew how to do that I wouldn't be reading the Help Menu.

Oh, I'm just whining. It's like throwing, I'm sure; no one is born knowing how to do it. My usual words to live by are, "How hard can it be?" and while this attitude has served me well - most things are far easier than you think they will be - once it a while, the answer is, "pretty fucking hard." Occasionally the answer is "impossible, given current resources of time, energy, and brainpower." I don't think this is one of those times, but I may not have any hair left by the time this project is done.

Oh, the one I couldn't think of was Filezilla. I thought it was the solution to my problems - and it still might be. The file in question is now in the server directory...but it isn't on the web, anywhere. And why would it be? I couldn't see how, in Filezilla, I was supposed to tell it where to publish.

Gah.

Firing the kiln today, the last one of 2011. (Thanks, Captain Obvious!) Unloading Wednesday.

Visual Appeal: Lessons from the Donut Shop

For Christmas I received, among other things, a Dunkin' Donuts gift card. (Thanks Mom!) It reminded me of something that's been tickling my brain ever since I wrote the post about the chocolate covered pretzel sticks. I mentioned in that post that my first job was at Dunkin' Donuts, and I used to amuse myself by trying to make the donuts look as appealing as possible.

What started tickling my brain then, and finally entered my conscious thought this morning as I chose a boston creme and a chocolate coconut, is this: what I was doing was visual merchandising.

Much of what worked to sell donuts could be explained as an indictor of quality. A even coat of sugar was appealing to people perhaps because it appears to have more sugar than a patchy-looking donut. Or maybe it made the donuts look fresher and less man-handled. The same could be said for smooth, shiny frosting. But other qualities were less evidently related to donut-enhancing qualities: Why are jelly donuts more appealing if all the little dots of jelly peering out of the fill-holes are pointed in the same direction? And why, if you only want two, are you more likely to buy from the tray that has 20 identical donuts on it, than the one that has five?

I don't have an answer to that but nevertheless I know that it's true. There is something about abundance that makes people want to take home part of it. Which makes me think: might we sell more mugs just by displaying more similar mugs together? When I make mugs I might make twenty or thirty more or less the same, but when I glaze and fire I try to get variety in the kiln. Maybe I would be better served to fire similar things together, so that on the retail shelves, mugs stay with their cohort.

I have seen first hand how effective visual marketing is: I could predict - nay, manipulate - what people would buy before they walked in the door. And my experience is one tiny shred of what visual marketing entails. Might be worth learning more about, if a person wanted to work smarter instead of harder.

Just a thought.

Java Wadding

In my infinite quest to replace expensive grog in my wadding, this firing I am following the suggestion of a fellow blogger and potter going by the name Newfoundout Potter. I am using coffee grounds. This suggestion appeals to both the frugalista and the tree-hugger in me: reuse! recycle! Coffee grounds are essentially garbage. We were using them in the compost pile but believe me there are plenty from this house to go around. Our compost is more acid than ideal, due to the preponderance of coffee grounds. Ooo, bad thought: our compost also sometimes smells like vomit, due to its great acidity. Let's hope my wadding does not also come to smell like vomit! That might be a deal breaker. For now, though, the wadding smells nice.

I did find that I had to use more grounds than grog to get the consistency that I want; whereas the original wadding recipe called for 2:2:1 Kaolin:Alumina:Grog, the coffee grounds version is closer to 1:1:1.

It's a weirdly warm day in Central Maine; the thermometer hanging on the deck says it's 50 F. A nice kiln-loading day.

OT: Check out my new profile photo! Turns out the same lighting set up to avoid shadows while photographing pots does a good jobs of filling in crow's-feet.

Two-Oh!-Won-Too

Boy do I have big plans for 2012! New product development, new marketing strategies, new ideas, and fresh looks at old ones. here are a few goals, in no particular order:

1. Buttons. This was a suggestion months ago from fellow potter-blogger Sue Pariseau, and I got started on designing a button, but then got busy with orders and Christmas stuff before I got a design I really like. I am scrapping my first mold - the design just isn't working with what I have learned since making it. I know, right? it's a button. Cut a circle, drill a couple holes, and get on with your life. But it turns out that a really good button needs more thought (weight, hole quantity and placement, how the design works with the holes, what about the back, blah-blah-blah.) The world doesn't need any more mediocre buttons, so I pushed back production until I have time to do it right.
2. Vessel sinks. I've been asked by a former schoolmate and Facebook connection to design a vessel sink for production. I've put this off, mostly because I am intimidated by the technical aspects (unlike buttons. I want to state for the record that I am not intimidated by buttons. I just have high standards.) To push past this, I set a deadline with him, as an internal deadline doesn't mean much; I blow by them left and right. But I hate disappointing other people. I plan to have a design or two to show him by February 1.
3. Cabinet and drawer hardware. Like buttons, these will help me utilize kiln space more efficiently. I have made such things before, but I want to standardize the shape and size, perhaps with a press mold. Or a slip mold? Remains to be seen.
4. New shapes, new glazes, new takes on old ones.
5. Take a set of shots to apply to art fairs. Is this on my list every year? Can't remember, and don't want to. But this year I am ready, in terms of production capacity, to take on a top-shelf show or two. Can my own photos get me in? One way to find out.
6. Wholesalecrafts.com It's an investment, for sure, but I've heard nothing but good things about it. If you've had a less-than-stellar experience with it, now would be a good time to share that story.
7. Website. My husband built my site, finemesspottery.com, in 2005. That's almost 7 years ago, for those keeping track. While I was and am grateful for it, it turns out there was an element of "impress-the-new-girlfriend" in it; it hasn't been updated in all that time, because he doesn't really like web designing, in part because he uses a Cro-Magnon version of Fetch. It's extremely fiddly and tedious, and not remotely WYSIWYG. He's not especially interested in web building, period, so he's not up for downloading or learning a more intuitive software. But that's okay, it's not his job, anyway; that would be me. So I've downloaded a free webbuilder valled Kompozer. My hope is to have a site that I can easily update, and provide seamless links with this blog and will Paypal; looking at the beginning of March for that to be up and running.
8. Just kicking Kickstarter around. It seems some of the projects on this list would fit into Kickstarter's mission, and funding would help during the development phases.

What's on your New Year's list?

Prospero Año Nuevo y Felicidad!

In Spanish it is customary to wish friends a prosperous new year, as opposed to a happy one; although the intent, I'm sure, is the same. I'd love to have a prosperous year, as I'm sure you would, and to that end, I want to think a little about what defines prosperity for me.

• Feeling awesome = prosperity. I've had the unusual luxury of the house to myself for four days*, purchased for me by my poor dog, whose chronic back injury made travel ill-advised. (He is now on a muscle relaxant and pain reliever, and is much improved, thankfully.) Because Doug was away, and because I had been given a Hannaford gift card, I went hog wild in the produce department and stocked up on greens and nuts and avocados and fruit and yogurt, stuff that is usually out of the budget, and which Doug would not eat anyway. This should not surprise anyone, but I feel so energetic! No more running out of gas at 2 pm. I need to find a way to do this all the time.
• Feeling awesome, part II: Yoga! I know this, I've been knowing it, but I get busy and forget. If I spend some time doing yoga every day, I will feel better, have more energy, and be more limber; all around I feel more like my younger self. Yoga is free! I can say I don't always have time, but I'm not going to say that; something else will go instead. How 'bout, I replace half an hour online reading news and politics (not the most relaxing activity) with a half hour of yoga. I think that will contribute to a prosperous year.
• Financial prosperity, of course, makes other kinds easier. For me financial prosperity would just mean enough to pay bills, eat well, have some fun, and not worry. Health insurance would be nice, too. I am percolating a plan for this. I am shooting for more than just-barely-enough; it would be nice to have some breathing room. Frugality is sort of my hobby; we are pretty resourceful, and not really into "stuff," luckily, but I'd like to have a little bit to save. More on this plan later.
  
• A wealth of ideas: Thoughts of sculpture still flit into my head, but such ruminations are like birds: if you don't feed them, after a while they stop returning. I may not, in fact, have time to devote to sculptural projects, but it may also be a question on allowing the ideas to gain momentum. I also feel like sculptural ideas inform functional ones, so creative aspects of my functional work can be nurtured by not letting the sculptural thoughts wither on the vine. To that end, I am going to start keeping a sketchbook to grab those fleeting thoughts and images.
• Love, love, love: may not be all you need, but what's all the rest, without it? I've got the good relationship thing (really: Doug is the bestest) but sometimes am too lazy to make the effort to spend time with friends and family, especially since I am an hour (at least) away from everyone. Will try to fix this in the coming year. Scrabble parties, and 80s Night at Bubba's Sulky Lounge. Let's do this.
  

*Actually four days is too much. I got lonely. Three days once in a while is nice, if only for the coming-home moment.

The Week of Reflection

I have a personal tradition: I call the week between Christmas and New Year's the Week of Reflection, and I try to spend it thinking back on the past year, understanding the events and giving them context. I look at where I am, and how my life is, and think both of blessings and how I would like my life to be different; and mapping out the steps between where I am and where I would like to be.

This year I have a huge honkin' lot of blessings, and my life is closer to my ideal than it has ever been before.

2008 was the first year I blogged the Week of Reflection, and boy, have I come a long way since then! This calls for a song:



Unrelated but amusing: one line of lyrics goes: "Pescado mojado me encontre." My Spanish is not good, but I think this means "I found wet fish."

And so begins the Week of Reflection, Two-Zip-Won-One.

Chia Wadding

Remember when I suggested you could use birdseed in place of grog in wadding? Yeah, don't do that. Not just because of this creepy terrarium, but also because in the last firing a few of the seeds exploded, sort of like an egg in the microwave, I guess. They didn't do any damage, but any time you've got little bits of debris flying around the kiln you have potential for a bad situation.

I am considering using the chia-wadding, however: the seeds have already split. Will let you know if anything unexpected happens.

In Case You Were Wondering...

...Garden lime is not quite the same as whiting. Some garden lime is closer to dolomite. And some contains what is enigmatically describes as "rock dust."

Okay, so you probably weren't wondering that. But I was, briefly, when I realized I had forgotten to pick up whiting on Thursday, in all the party excitement. I was hoping to save myself a trip to Portland, so I called Knight's Farm Supply. They do carry garden lime, but it is not straight calcium carbonate; there's apparently some magnesium in there as well, like dolomite, only who knows how much. Guess I am making the 110-mile round trip, which is a bigger deal now that I am driving Truckzilla.

On the other hand, whiting is a perfectly good substitute for garden lime on your perennials, to lower the acidity of soil. I don't use it, myself; my plantings pretty much have to sink or swim on their own.

Oh, gardening, I miss you. And it's not even officially winter yet.

Sweets & Treats

For as long as I can remember, I've been a sucker for pretty food. My first job, in high school, was at Dunkin' Donuts. I didn't care that much for waitressing; what I really loved was "finishing", which meant frosting, powdering and filling the donuts. I took great pride in making the donuts look as appealing as possible; I even made bets with myself that I could control which variety sold out first.
That was kind of a long detour to say, Look what I made! I'm not much for holidays at all, and even less for all the Christmas hullabaloo, but I do like to have an excuse to make beautiful sweets.
Here are some other things that were (and are, through Sunday!) on offer at Portland Pottery:

Portland Pottery's Holiday Show!

It's happening Friday, December 16th - Sunday December 18. Opening night party, Thursday the 15th from 5 - 9. See you there!

Another Score!

At the Kennebec River Artisans holiday open house last night, I managed to persuade jeweler Kris Lape to trade with me, for this awesome necklace! Thanks Kris!

And next week I'll be trading with milliner Julie Stewart for one of her amazing hats.

Some days I really love being an artist.

Many Facets

You know how sometimes you get on a jag, and you just can't quit a particular technique? For me it's been facets, all of December so far...I don't want to hear about anything that isn't facets, and faceting. Something about the way the light, and then the soda vapor, hits those edges...I don't know.
Jags are the best, in that they produce the best pots, although not always the most salable pots. I can already tell I am going to be sitting on a mountain of toothbrush holders when this is over. [Edit: Want one? Get one here.]They are good pots - at least I think so - but maybe a bit too weird for the common aesthetic. Sadly, how close one's own aesthetic hews to the common determines how easily things sell - how "accessible" they are, to use the art-school word. There's a sweet spot in terms of styling which is just a hair outside of ordinary or expected, enough to intrigue but not enough to challenge. To my mind most of the best pots fall beyond this zone, which only means we have to work harder to find the folks who will like them, or transform a broader audience into those people. Functional pottery is already more accessible than, say, minimalist sculpture, so our job is easier than it might be.

ANYWAY. How did I get talking about that? That isn't faceting. I want to talk about faceting. For these pots I used my wire tool, because it was there. I used to have a nice cheese cutter with a wavy wire that made a nice texture, but somehow I've misplaced it. I am considering going out in the garage and rummaging through my husband's fishing equipment for some of that clear plastic line, because the wire tool leaves a slight texture, and I want to see if I like the facets better without. (As an aside to Mainers: Have you noticed that nobody north of Freeport, or west of, say, Windham, actually parks their car in the garage? I have one of every single man-made thing, except a car, in my garage. Possibly because in the poorer areas of Maine, no one's car is worth garaging.

WHICH IS ALSO NOT ABOUT FACETING! These pots will hopefully be out on the 18th, in time for last-minute Christmas shopping. Toothbrush holder, anyone?

Thursday Inspiration - Martha Grover

Here's one in progress:

Art Fair Acquisition

The second-best part of any art fair is trading, and I made a beauty of a trade at the SEA show: this awesome Garden Guardian, a cast and sculpted concrete planter. Really I wish I could have gotten two of them; I think they would look amusing in pairs.

The rest of the event, well, it didn't suck. Set up was easy, access to electricity was not too messy, there were both food and restrooms nearby. As for the first-best part of any art fairs, the sales? Well, again: didn't suck, but didn't reach the standard of earning 5 times the booth fee. On the other hand, I didn't pay the booth fee; Portland Pottery did, in exchange for my handing out upcoming class schedules, postcards for their holiday sale, and a brochure describing all of their offerings. And lots and lots of people did taje those things, so a good deal was had by all.A few things:

• Credit card sales accounted for about 30% of the total; less than I thought, but still a big whack. I used Virtual Terminal, because I could use equipment I already have - my laptop - as opposed to having to buy a smartphone (to use with Square) or a knucklebuster and plate. I will be keeping my eye out for a used Android or iPhone (and not just any will work: the exact specs are here) because a) my laptop is only good for about 45 unless it's plugged in. Is that normal? Doesn't matter, it is what it is. But if I were at an event where I had no access to electricity - a fairly common circumstance at outdoor fairs - I'd be sunk. And b) typing in the info was fine at this show, but if I were at a hopping-busy show - don't laugh! it happens! - it would be cumbersome. A quick swipe would be preferable.
  
• I sold a bunch of mugs, a bunch of ice cream bowls, almost all my honey jars, but only a handful of bigger things. People were shopping under $30.
  
• I was also shopping under $30. Actually I managed to get most of my Christmas shopping done under $20 per gift, at the show. I am too poor to buy big splashy gifts, so I shoot for unique and memorable. Handmade is great that way.
• I needed more packing materials! I had to tumble-stack in the totes when I packed up, as I had used all my tissue and bubble wrap.

You never count your money
When you're sitting at the table.
There'll be time enough for counting
When the dealing's done.

I never do count the money while at the show, I think it's bad luck. (No I don't. That's just silly. But I still don't count until after.)
Anyway, today is back in the studio: I am hoping to squeeze out a firing before the Portland Pottery show, which opens December 15th.

Holy Shatter!

Though this is not an outstanding photograph, nevertheless you can see that something not good happened here. The sundae dish shattered, apparently during the firing (as opposed to "while cooling.") It was thrown of B-mix 10, glazed with Magic White, and what's worse, through my small opening, I can see two other pots with that combination, and both have either cracked or shattered.

Hmmm.

My first thought is that glaze tension tore this piece apart. There is no applied glaze on the outside, but I thought the soda glass would exert sufficient tension to compensate. And perhaps it would have; this piece may have been ruined before I applied the soda. Magic White fluxes relatively early.
I've used Magic White on B-mix before with no surprises, but I do remember thinking as I applied the glaze that it was mixed a little thick in the bucket. I could have added water, but I didn't think I really needed to. The sundae cups are thinner than most things that I make, because they are stretched vertically after throwing. Between these two variations -- glaze thickness and pot-wall thinness - I guess something had to give.

There are at least 10 more pieces similar to this one in the kiln. I suppose they will all have torn themselves apart in this manner. I can only hope they didn't take too much other stuff with them.

Stay tuned.

Firing Notes

In no particular order:

• Bird seed (millet) makes a fine substitute for grog in wadding. [Edit: No, it totally doesn't!] It's cheap and readily available. The drawback is that over long periods of time, it will cause the wadding to stink. At least, that's what happened when some birdseed got into a friend's reclaim bucket one time: it was like the sum of all farts. But I only make small batches of wadding anyway, and a batch usually lasts only a couple of firings. [Edit: Repeat: Do not do this. Bad idea!]
  
• Every so once-in-a-while, Cone 9 falls before Cone 8. This doesn't happen with other cones, and it doesn't happen all the time. And no, I haven't reversed them, I made extra-super-double sure this time.
  
• Four and a half: the number of hours between coming out of body reduction and entering glaze reduction, and the beginning of soda application. Four and a half hours during which the kiln needs no adjustments. Would it be so wrong to sleep during that time? The baso valves ensure that the worst thing that would happen is that a burner would go out and the kiln would be uneven: not good but not tragic. Even if a baso valve failed for whatever reason, by that time the kiln is hot enough that propane entering it instantly ignites, so has no chance to build up and create a hazard. In order for any real safety hazard to occur, ALL the burners would have to go out, AND one of the baso valves would have to fail. We are getting into lottery-number unlikely, here.
  

Time for the next soda dump. Then it's off to bed for a couple of Zs before my afternoon class. Ciao!

Getting Loaded

SEA holiday Show on Friday! Here is a thing I am remembering about art fairs: there's no calling in sick. Got the flu? Too bad. Migraine? Suck it up! Luckily I have neither flu nor migraine, just a bad cold. My nose and lungs are congested and I ache all over; the only time I feel well is lying in a hot bath, but minutes after I get out I am achy and stuffed up again. But the firing must go on, so I got about three-quarters loaded yesterday (hehe, no, not like that, although that is a thing to consider: I've heard that alcohol kills germs.) I had to stop when I ran out of wadding, and then remembered that I had used the last of of alumina making door mud. D'oh! I can make wadding without kaolin: kyanite will serve. I can make wadding without grog: sawdust (or oat bran, right, Sue?) will work just fine. I cannot make wadding without alumina. So I crawled off to bed with The Girl with the Dragon Tattoo and a hot cup of spiced cider, and made a plan to visit Watershed first thing this morning.

All of which means I will be firing overnight tonight. Oh joy. But I keep doing it to myself (well: I've done it twice) so I can't really complain.Maybe I'm getting something out of it, a feeling of being Really Committed, or something. Or just that I should really BE committed, to an asylum.

Anyway: I am pleased with the look of this load. Can't wait to see them finished; that will make all this snot-slinging worthwhile.

(And don't worry about contagion! 2400F will kill any virus on the planet. )

Pursuant to my earlier post:

High Integrity, Moral Decency Has Cost Idiot Man Millions

CHARLESTON, SC—With its firm grounding in honesty, loyalty to friends, and a strong spirit of generosity, the asinine ethical code of Kevin Premus has cost the 42-year-old idiot millions of dollars over the years, reports confirmed Friday.

The moronic small-business owner, whose moral tenets are said to include basic human kindness and always trying to do what's right, reportedly never cuts any corners and is unwilling to fuck people over, poor habits that have led him into a life of endless mortgage payments, credit card debt, and a relatively small personal net worth.

Hehe. Read the rest here.

Thursday Inspiration: Amy Sanders

You can read more about Amy's methods here; and she also writes an awesome blog. Check it out here.

Swiper, No Swiping!

I was at a craft fair here in Augusta last weekend, at which I bought a bunch of handmade soap. I would have bought some candles, too, but that vendor didn't accept plastic, and I never have any cash on me. Which got me thinking about the SEA sale coming up very soon. D'oh! I will need to have some way to accept cards.

I keep reading about Square, the mobile card-swiping device. I was, in the back of my mind, sort of thinking of that as the solution. Yeah, no. Square only works with iPhone, Android, or iPad. Obviously I am not a techie or gadgeteer, as it looks from the outside like anything that works with a smart phone ought to work with a laptop; but sadly, no. Because there is no way on the site to get information prior to sign up, I went ahead and signed up, and then started trying to figure out if it would work for me. It won't, so Square will be sending me, free of cost (thankfully!) a device which is completely useless to me, and I am still without a way to take plastic.

So, if not Square, what? I hate dinking around with this but I need to figure it out. The options I have dug up so far:

1. If there is wireless access available onsite, I could use Paypal's Virtual Terminal service. Thee fees are 2.9%, plus 30 cents per transaction. This costs $30 a month, but I can cancel it after the single month for which I need it. It's a cumbersome, though, as I have to type in the card numbers manually, and has a per-month payout limit of $500.
2. MerchantAnywhere provides a reader that will work with a Windows machine. This service is $24.95 a month, on a month to month basis. The swiper cost $99 upfront, though.
   
3. I can purchase a swiper to work with Paypal's virtual terminal for $$40. Or, this will work with:
   
4. Authorize.net, which has $120 in set up fees, but only 10 cent per transaction; no percentage. or:
5. Payleap.com, which has a $29 monthly fee, a $29 set up fee, a transaction fee of 25 cents plus 2.15%. Plus, of course, the $40 for the swipe device. Or:
   
6. I can create a Payflow account, which is also through Paypal. (I admit I find all these different Paypal solutions confusing: Merchant account, Payflow, Payflow Pro, Website Payments Pro...I just want to be able to swipe credit cards. How many different ways can you do it?) This one has a $179 set-up fee, with a monthly service fee of $19.95. Plus the $40 for the swiper. Since I can't see how it's different from Virtual Terminal, I think I can cross this one off the list.
7. ChasePaymentech iTerminal. Either I am getting tired and losing patience, or it doesn't say anywhere on the ChasePaymentech website what the service costs. Or, more likely, both. It may be on there somewhere but I grew tired of clicking around trying to find it. They are working so hard to keep the secret, it makes me think the cost must be around a bajillion dollars a month. No, a day. But I'll never know, unless one of you is willing to ferret out the info.
8. Or, my best choice may turn out to be a more traditional payment processing service, like those offered through Powerpay. This won't work at the Uptown (not that I'll necessarily be going to Uptown!) but it would work for my upcoming event, as it is inside and there will be electricity available. Can't yet say how much this would cost, as I am waiting on a shout back from someone at Powerpay. This also makes me leery; why can't the prices just be on the website? Is it so complicated they need to explain it in person, or so expensive they need a persuader to sell it? Don't know, but I will let you know if I ever find out.
   

Barring some new info, I am leaning toward Virtual Terminal, with the USBSwiper device.

Back in the old days, when most people still carried checks (yeah, I know...I'm old, okay) when I ran into the occasional customer who had only plastic, I'd just sell them the pots, and give them a business card & ask them to send me a check when they got home I never had anyone fail to pay, but that won't work anymore, as virtually everyone will have only plastic. Just like me.

Thursday Inspiration: Nick Joerling

Pussy Cat, Pussy Cat

...where have you been?
I've been down to London to visit the Queen.
Pussy cat, pussy cat, what did you there?
I frightened a little mouse, under her chair.

Actually I've been right here, just not sitting in this chair as much. So far as I know there are no mice beneath it, and if there are, someone - a number of someones, in fact - is not doing his job.

Whenever I read a blog post in which the author apologizes for not posting, I am always amused because, really, unless you are Duncan Black, or Dooce, does anybody even notice? Not that there's anything wrong with that! It is sometimes a comfort to me that if I slack off blogging for a while, no harm done.

I haven't just been napping, eating, and reading the first book of A Song of Ice and Fire. (Completely off topic, I was suddenly reminded of that little ditty kids use to annoy adults:

♫ This is the song that never ends
It just goes on and on, my friends!
Some people started singing it, not knowing what it was
And still they keep on singing it because-because-BECAUSE
This is the song that never ends...

A Song of Ice and Fire is like that: it apparently never ends. I should probably just quit while I still can.)

I've also been making lots of stuff, for my first craft fair in years:


This show puts the "dinky" in "rinky-dinky," but 1)I am rusty in the ways of art fairs, and it's probably better to get the bugs out; and 2)Portland Pottery is picking up the tab, as the event is in their neighborhood, and they want to have a presence.

As much as I enjoy the freedom to make whatever comes to mind, I suffered a bit of writer's (potter's?) block when my mind shifted gears from filling orders. I blew through the blockage with a new look, and created a body of work specific to this show.

Faceting and slip trailing are like chocolate and peanut butter.

I honestly don't know what to expect, though I think I can safely say I am in no danger of having my head turned by the sudden influx of wealth. I promise, it won't change me! No, really, I wouldn't be surprised to walk away with $100, or $1000; more than that would surprise me. Though the money is likely to be a bit underwhelming, I will be using this event to hand out business cards, brochures, and info about my new website.

The one I'm not done building yet. That, however, is an adventure for another post.

Thursday Inspiration: Susan Dewsnap

June Perry Says:

This was such a helpful comment from June Perry of Shambala Pottery, that I wanted to share it with all of you:

"Any glaze with around 15% whiting, dolomite, barium or a combination of any of those or with some boron or talc, will repel the soda and should work fine. The color may not be the same as in a non soda or salt atmosphere.
High clay shinos work pretty well, as does temmoku, amber celadons, many ash glazes, Shaner oribe, salt yellow, white salt (most of these are in John Britt's cone 10 glaze book). There's also a large file of soda/salt glazes and slips that I and a couple of other members put on my yahoo soda salt group. You have to be a member to access them (no charge - just a way to keep spammers out). It's not an active site; but it's more of a repository for the recipes, photos of some soda/salt kiln and members work."

June also writes a very entertaining blog.

I love the internet.

I Did Not Know That: The Feldspar Edition

While mixing up test glazes, I came upon a recipe calling for G-200 Feldspar. Well, hmmm. I have Custer, a potash feldspar. I have Kona F-4, a soda feldspar. As far as I know, for our purposes, there are only potash and soda 'spars. Wrong! G-200 is 75% potash, and 25% soda feldspar. So, I should be able to achieve the same thing by substituting the appropriate proportions of Custer and Kona.

Thanks, Professor Google!

Thursday Inspiration - Josie Jurczenia

Check out Josie's blog here.