I have finally reached the last stage of work on this custom order. Strangely, I found that I was - I don't know - superstitious? about photographing the urn while Allegro's markings were visible. It seemed too intimate, as though I were invading her privacy. She is gone, of course, and this is a bit of ceramic material, so maybe I am completely silly. In any case I chose to respect the feeling.
It is low-fire, so that I could control the markings precisely, and I used Amaco'sSuperclear, a lead glaze, for the topcoat. I just thought I'd soon be in need of an urn myself if this piece were ruined by bubbly or cloudy glaze. One thing about those lead glazes: you can count on them. It's gonna be a perfectly clear, glassy surface. And it seems quite unlikely that it would ever be used for food.
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Lori Keenan Watts (aka me) is a potter, gardener, and avid reader from Augusta, Maine. Though I started my university education in surface design for fabric, clay quickly grabbed me by the heart and redirected my creative impulses. I have been a potter for over 25 years -- hard to believe. The most valuable years of my ceramic education were spent in graduate study at Southern Illinois University at Edwardsville, under the tutalage of Dan Anderson and Paul Dresang.
My aesthetic is guided by my love of the material itself. What fascinates me and makes a pot compelling for me is the clay-ness of clay: the squooshiness that becomes the adamantine solidity. I also like patterns, unexpected proportions, and when the flame comes along and dissolves part of my careful decorating efforts! I am obstinate about this aesthetic, to a point which might be called pig-headed, but hey, if you don't like what you make, why bother?
My happy little family also includes my husband, musician and photographer (and author of the book Alewife) Doug Watts; five cats; and a turtle, all foundlings and rescues of one stripe or another.
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