Last week she had a good one: she brought a painting stencil to class, along with a "pounce" brush, and underglazed a slab with it. She then used that slab as the bottom of a thrown and altered form, and also to build a mug with the pattern on the inside. I loved the crisp qualities of the stencil image juxtaposed with the softness of the thrown oval, and the natural handbuilt wonkiness of the mug. I'm all about those tensions: human vs machine, tight v loose.
I wish I had taken a photo, but I didn't. Here's my version, though. I used thick porcelain slip instead of underglaze, to get more of a raised pattern. I also used a natural sponge to try and create more of a lacey texture; not sure how successful that was.
|I call this my Georgia O'Keefe pot. Shake the Dew Off the Lily!|
This technique works best if you can stencil onto a flat slab - my efforts to stencil onto a thrown piece were...messy. It might work better with a small stencil, or a stencil cut from more flexible material, like maybe tyvek paper.
Those commercial stencils are all fine and good, but the thing I am really excited about? I bought a pack of blank stencil sheets! I also bought an exacto knife - those of you who know me know I am not fond of them, too many bad memories - but a friend told me they cut better with a woodburning tool, which I already have.
Going to try to create a stencil that captures the delicacy and profusion of bleeding hearts. Photos soon! I hope.
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