My Annual Attempt at Bleeding Hearts

 Every year in May, when the bleeding hearts bloom, I set myself the challenge of replicating them in slip. They seem like naturals, with their precise rows of heart-shaped blooms, but like everything clay-related, it's harder than it looks! Here's my clumsy attempt from 2017:

Not terrible, and the foliage is actually pretty good, but it does have a little bit of that baby-drawings quality. 

This year I tried it a few times on the flat table surface before moving on to three dimensional forms. As often happens, I got better with practice! In particular I was pleased with the last one. 

Buoyed by this success, I felt ready to try it on a mug form. Not as great! Ah well, if it were easy it would hardly be worth your time to read about. Anyway it's not terrible, just, you know. Needs practice. 

In other news, it's 48° & pouring out, not a great day to work in the summer studio. We really need the rain but I imagine a lot of people are disappointed it happened this weekend. My wheel is in the summer studio, so I recycled clay today & started on some handbuilt work I need for a group show at Monkitree this summer. 

Pottery stairs are out, for local peeps who want to brave the rain! 

It just slipped out!

 

"Slipped" out, get it?? 

I've been making some rustic, torn-edge plates in class, aiming for a loose, spontaneous, almost found-object quality. My own work is pretty tightly thrown (not entirely on purpose!) and over-decorated, although I do enjoy letting the soda vapor have its way with the piece during the firing. There's a wide world of approaches to clay out there, and I wanted to give my students a taste of a different aesthetic. 

It sorta worked - they got the idea - but then another idea popped up in class, one I had talked about earlier: aesthetic tension. Sometimes what makes a piece intriguing is when two dueling aesthetics are mashed together! With that in mind, and because I can't help myself one the slip bottle is in my hand, I trailed some delicate flowers onto my meaty rustic plates. 

I have to credit a student for the poppies! I mentioned that I had been trying to figure out how to make a recognizable poppy with slip; I turned my back for a sec & when I turned back she had made 2 on the worktable! Victoria is a very talented sliptrailer (and formerly a cake decorator!) I learn so much from my students. 

These will probably not be soda-fired, since students don't have access to the soda kiln so it feels like cheating to use that method to finish my demos. SO, I am thinking, iron oxide on the back & edges, then shino on the front face. 

I'm excited about these & plan to make more at home! 

There's Something Happening Here

Dotopia

 About a year and a half ago - seems much longer; I guess because so much has happened in between then & now - I introduced Dotopia, a line I designed specifically for wholesale. The design is easy to replicate (well - "easy" within the limitations of soda firing, which is by nature a bit random) while still communicating the joie de vivre I want my pots to impart. Because the shapes are simple, and the decorative elements consistent - throwing lines, stamps, rib cuts, slip trailing at leather hard; flashing slip, glaze dots, interior glaze either white or yellow - I can make these relatively quickly, and charge a bit less for them than a more elaborately decorated piece. 

I'm still making Dotopia, and expect a majority of my orders to be from this line. It's the one I offer to wholesale accounts, with a product sheet & samples. But my love of excessive decorating has not evaporated, and predictably, it's back! Check out this new work I am making. 

I made a bowl like this, a couple weeks ago, with a frieze thick with sliptrailing. I have sometimes told students that sliptrailing is a two-person job; one to do the work, another to bonk em on the head when it's done. But there was nobody there to do the bonking so I just kept decorating. I think there are the makings of another line here! It'll have to have a higher price point; it just so happened that I was keeping track of my studio hours this week, and between wedging, throwing, handles, and decorating, it took 6 hours (wetwork only)  to make 10 mugs. They'd have to wholesale for ...idk, $20? Maybe $25? OK, that's not all that much, in the world of handmade mugs. 

I also will save a little time on the glazing end, as these - I think - will not even need flashing slip. I am hoping for the peachy-grey of Bmix + soda glass for the background, and the porcelain slip to be a somewhat-glossy white. Probably white inside, although my mind keeps tugging me towards a pale iron-chromate grey. Not a glaze I currently have but easy enough to alter a recipe.